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| | Here are a diverseness of collections or 'athenaeum' of individual characters or popular artists. Not specific to whatever one publisher or theme but popular enough to warrant extra attention from fandom. We recommend all of them for excellent entertainment value. |
| | Ace Magazines 1940-1956 --- Ace Magazines was a comic-volume and pulp-mag publishing visitor headed by Aaron A. Wyn and his wife Rose Wyn. The Wyns had been publishing pulp fiction nether the Periodical House and A. A. Wyn'due south Mag Publishers names since 1928, and published comics between 1940 and the end of 1956. -From GCD and Wikipedia |
| | Ajax-Farrell Publications 1951-1958 --- Founded and operated past Robert W. Farrell in the 1940s and 1950s, Farrell is particularly known for its pre-Comics Code horror comics, mostly produced past the S. M. Iger Studio. Farrell acted as editor throughout. In addition to packaging art for Farrell from the beginning, Jerry Iger was the company's art managing director from 1955–1957. As well published comics under the names of Ajax, America's All-time, American Feature Syndicate, Decker Publications, Excellent Publications, Farrell, 4 Star, Kiddie Kapers, Carmine Top Comics and Steinway Comics. No thing the imprint, most titles had the words "A Farrell Publication." |
| | American Comics Group/ACG 1943-1967 --- ACG, from 1946 to 1953, was co-owned by Fred Iger who also endemic role of National Journal Publications. Iger was sole possessor from 1953 to the early on 1960s, when Harry Donenfeld became co-possessor. They were distributed past Independent News Co., which was a sister company to DC comics. In 1967 the line of newsstand titles was cancelled, but the Custom Comics office of the business lasted until at to the lowest degree the late seventies. Annotation- due to DCM'due south rule of Non sharing books mail Dec 1959 several American Comics Grouping/ACG titles are incomplete on DCM |
| | Avon Comics, Inc. 1947-1959 --- Avon Publications, Inc. was an independent publisher from 1941 to June 1959, when it was bought by the Hearst Corporation. Joseph Meyers and Edna Meyers Williams were the publishers. Their comics were distributed past ANC (American News Company) up to 1952, and past Hearst later on that. As of 2019, Avon nevertheless exists equally an imprint of HarperCollins Publishers. |
| | Better/Nedor/Standard/Pines Publications 1939-1959 --- In business from 1939 Standard was a prolific publisher during the Golden Age of comic books. Its best-known graphic symbol, initially published under the Amend imprint, is the Black Terror. In June 1949, the Improve and Nedor imprints were consolidated as the Standard Comics line, with a "Standard Comics" flag-like cover logo. The titles previously had no publisher logo. In 1956, Standard concluded, and only two titles continued, published by Pines Comics. This terminal venture also incorporated several titles from the defunct St. John Publications. Well-nigh titles went to other publishers after the company folded in 1959. -From Wikipedia |
| | 1941-1946 During the Second World State of war at that place was a strange-substitution crisis which led to a ban being placed on the importation of U.S. comics. This period, which witnessed an explosion of English language-Canadian comic volume publishing, is now described as the Canadian Golden Age of Comics. Featured publishers include - Maple Leafage Publishing in Vancouver and the Toronto-based firms Anglo-American, Hillborough Studios, and Commercial Signs of Canada (later called Bell Features) You can read more about the history of Canadian Whites at this link - Ivan Kocmarek has an online index here - http://canadasowncomics.com/ |
| | Centaur Publications 1938–1942 --- Centaur consisted of Centaur Publications, Inc. and the Comics Corporation of America. Comics published by both of these publishers were advertised together and referred to as being published past the "Centaur Group" in those ads. Later comics by Comic Corporation of America were likewise advertised together, including Amazing Human Comics which had also been part of the "Centaur Group." Centaur nigh never put any brand identification on their covers, and instead used internal ads to connect their titles. Several additional companies have historically been lumped under "Centaur" on the grounds that the titles they published were afterward purchased and continued past Centaur Publications, Inc. The earliest of these were the Comics Magazine Company, Inc. and Chesler Publications, Inc., both of which sold titles to Ultem Publications, Inc. Many sources include these predecessors as Centaur issues, but the companies are all distinct, with different ownership. Ultem in plough sold all iv of their titles to Centaur Publications, Inc., which is the proper beginning of this group. Centaur used the former Ultem titles to begin their comic book line, and also drew on the dorsum inventory of stories to fill out the early problems of their new titles with reprints. -From GCD |
| | Charlton Comics Group 1944-1986 --- Charlton began in 1933 with Hit Parader mag, publishing song lyrics. Charlton Comics published comics from 1944 - 1987. The final of the magazines were published in the mid-1990s. It was unique amidst comic volume companies in that information technology controlled all areas of publishing –from editorial to printing to distribution – rather than working with exterior printers and distributors as did most other publishers. It did so under one roof at its Derby headquarters. NOTE - due to DCM's rule of Not sharing books post December 1959 several Charlton titles are incomplete on DCM |
| | Harry "A" Chesler Comics 1937-1946 --- Chesler (the "A" stood for "Anything") was a comic volume packager and publisher. He operated a packaging studio more or less continuously from the mid-30s through 1953, and at times also operated as a publisher. In 1941 Chesler published with Dynamic Publications, Inc. From this betoken on, most of Chesler's comics would be branded with a logo proclaiming them the "World'due south Greatest Comics". In 1941-1942, this also identified each event as "A Dynamic Publication". After just over half a year, Dynamic ceased publishing, he continued producing a few books through surrogates. The surrogate action picks upwardly dramatically in 1944, leading into Chesler's third major wave of publishing. In place of "A Dynamic Publication" these had "Harry "A" Chesler, Jr.". Junior, however, was the son of Chesler the publisher, a signal of much confusion for latter-day comics researchers. This menses lasted through 1946, after which the ongoing titles were continued in Canada by Superior Publishers through early 1948. Chesler continued to run his art store, but no longer published his own comics after 1946. |
| | Columbia Comics Corporation 1940-1949 --- Formed in 1940 as a partnership between artist/editor Vin Sullivan, the McNaught Syndicate, and the Frank Jay Markey Syndicate to publish comic books featuring reprints of such McNaught and Markey comic strips equally Joe Palooka and Sparky Watts, every bit well as original features. Other properties published past Eastern Color Printing are also transferred to Columbia Comics. Charles Five. McAdam, president of the McNaught Syndicate, was as well publisher of Columbia Comics. |
| | Comic Media 1950-1954 --- A brusque-lived comic book company owned by Allen Hardy that existed in the 1950s. Notable artists included Pete Morisi and Don Heck. When Comic Media became defunct, the company sold its titles and characters to Charlton. |
| | Cupples and Leon Co. 1902-1956 In 1903, Cupples & Leon collected such strips as The Katzenjammer Kids. Alphonse and Gaston, Happy Hooligan, On and Off the Ark, Poor Lil Mose and The Tigers. Their major competitor in books of comic strip reprints was Frederick A. Stokes, who died in 1939. To reprint comic strips, the company offered, for 25 cents, a foursquare-jump paperback format of 52 pages of black-and-white strips between flexible cardboard covers. Betwixt 1906 and 1934, Cupples & Leon published more than than 100 titles in that format. They nerveless Bringing Up Father, Petty Orphan Annie, Reg'lar Fellers, Smitty, Tillie the Toiler and other leading strips of the 1920s and 1930s.[2] They left the comic strip reprint field in 1934, concentrating on their juvenile lines, only as the modern day comic book was introduced that aforementioned year with Famous Funnies. Victor Cupples died in Mount Vernon, New York in July 1941. Arthur Leon, who lived in New Rochelle, New York, died in Dec 1943, and his wife, Louise Heroy Leon, died 5 years later in February 1948. The Platt and Munk publishing house acquired Cupples & Leon in 1956. |
| | Dell Publishing Co., Inc. 1929-1988 --- Dell was founded in 1921 and first published comics with 1929'south "The Funnies", which looked like a newspaper insert only was distributed on newsstands. Eastern Color Printing Visitor was involved with several of Dell's earliest comic book ventures, although the verbal nature of each partnership is not always clear. The company'due south comic book sectionalization folded in 1973, although Dell connected to publish the occasional book with comics content, including newspaper strip collections. Dell became part of Bantam Doubleday Dell in 1988, ceasing to exist every bit an independent visitor. -"The American Comic Book: The Evolutionary Era, 1884-1939" past Denis Gifford. NOTE- due to DCM's rule of Not sharing books post Dec 1959 several Dell titles are incomplete on DCM. |
| | D.Southward. Publishing 1947-1951 --- D.S. Publishing enters the publishing marketplace around 1941, with several 'vocal sheets'. In tardily 1947, D.S. begins publishing comic books, which includes Select Detective, now as a comic; with early issues of Underworld and Outlaws existence notably violent; by 1949-50, D.S. is publishing its final comic titles, with the juvenile interest Elsie the Cow and Permit's Pretend. Richard Davis is listed throughout equally editor, publisher or president, with V.C. Albus listed as vice president 1949-50; the editorial address throughout is 30 Rockefeller Plaza, NYC, which was after used by some other comic volume publisher, P.L. Publishing (1951); no other connection is known at this fourth dimension. |
| | Eastern Color Printing Company 1933-1955 --- At first it was only paper comic strip reprints. Eastern incorporated in 1928, and soon became successful by press colour newspaper sections for several New England and New York papers. In improver to publishing its own comic books during the 40s, Eastern did the printing for the bulk of publishers in the comics industry. An commodity in the Hartford Courant dated Feb. 15, 1954 states that "An executive of one of the largest comic book press firms in the nation, located in Waterbury, Conn. said 65,000,000 issues are printed each month. Of these 65 one thousand thousand bug, more than 40 per cent are printed in Connecticut." Eastern published its own comics until the mid-1950s, and continued to print comics for other publishers until 1973. Eastern struggled financially from the 1970s to 2002, when the business closed, a victim of changing printing technologies. |
| | Fawcett Publications 1940-1954 --- Founded in 1919 in Robbinsdale, Minnesota past Wilford Hamilton "Captain Billy" Fawcett (1885–1940). It kicked off with the publication of the bawdy humor magazine Helm Billy's Whiz Bang and expanded into a magazine empire with the first issue of Mechanix Illustrated in the 1920s, followed by numerous titles including Truthful Confessions, Family Circle and Woman's Day. Fawcett Comics, which began operating in 1939, led to the introduction of Captain Marvel. The company became a publisher of paperbacks in 1950 with the opening of Gold Medal Books. In 1953, the company abandoned its roster of superhero comic characters in the wake of declining sales and a lawsuit for infringement by the Captain Curiosity character on the copyright of the Action Comics graphic symbol Superman, and ended its publication of comic books. Information technology was purchased by CBS Publications in 1977 and after underwent dismantling and assimilation by other companies. Note - Warner Brothers (electric current owners of Fawcett copyrights) legal representation has informed united states of america several Fawcett books on DCM were in fact not in the public domain and must come up downwards. You tin can read more about it on the forums at this link: |
| | Fiction House, Inc. 1938 - 1954 --- Fiction House was an American publisher of pulp magazines and comic books that existed from 1921 to the 1950s. By the tardily 1930s, publisher Thurman T. Scott expanded Fiction Business firm into comic books developing its own staff employed either in-house or on a freelance basis such artists as Mort Meskin, Matt Baker, Nick Cardy, George Evans, Bob Powell, and Lee Elias, equally well as female artists such as Ruth Atkinson, Fran Hopper, Lily Renée, and Marcia Snyder. The later-mean solar day owner's comics partition was all-time known for its pinup-style good daughter fine art, equally epitomized by the company's most popular grapheme, Sheena, Queen of the Jungle. |
| | Flim-flam Feature Syndicate, Inc. 1939-1951 --- Fox Characteristic Syndicate (also known as Play a trick on Comics, Flim-flam Publications, and Bruns Publications, Inc.) was a comic-book publisher from the early Gilt Age started by Victor S. Trick and business organisation associate Bob Farrell. For content, Fox contracted with comics packager Eisner & Iger for their first books. Play a joke on'south first publication, Wonder Comics #one (May 1939) contained a Superman knock-off Wonder Human. DC sued challenge he was an illegal copy of Superman. After losing at trial, Victor Fox dropped Eisner and Iger, and hired his own stable of comic creators. Pull a fast one on would be known for his low page rate and poor quality control. Actual years of action were mid-1939 to early on 1942 (mostly as Pull a fast one on Publications, inc.) and mid-1944 to 1951 (mostly as Fox Characteristic Syndicate, Inc.), with "Blue Beetle" being published by Holyoke Publishing Co., Inc. in the acting. 1944 and to a lesser extent 1945 saw a great bargain of activity through surrogate publishers, mostly in the grade of giant-size (128 or 196 page) issues alongside the return of an actual Fox publishing visitor. Following the establishment of Comics Lawmaking Authority in the mid-1950s, Play a joke on went out of business, selling the rights to the Blue Beetle to Charlton Comics. |
| | 'In the UsA, whatsoever work created past a federal government employee or officer is in the public domain, provided that the piece of work was created in that person's official capacity.' Us government publications are in the Public Domain and therefore tin can be shared here. Additional materials courtesy Ethan Persoff, |
| | Harvey Comics Group 1941-1994 --- Harvey Comics was founded by the Harvey brothers; Alfred, Leon and Robert, in the 1940s after starting time acquiring Speed Comics from Brookwood Publications. Harvey began a shift to licensed characters when in 1942 they took over as the radio hero Green Hornet'south publisher from Holyoke afterward six bug. Harvey added additional titles such that about of their titles were licensed. The visitor ultimately became best known for characters it published in comics from 1950s onward, particularly those it licensed from the animation company Famous Studios, a unit of measurement of Paramount Pictures, starting in 1951. |
| | Hillman Periodicals 1940-1953 --- Founded in 1938 by Alex Fifty. Hillman, a former New York City book publisher. Information technology is all-time known for its truthful confession and true crime magazines; for the long-running general-interest magazine Pageant; and for comic books including Air Fighters Comics and its successor Airboy Comics. In 1948 Hillman began publishing paperback books. At that place were several series of abridged mystery and western novels published in the larger 'digest' size. These lasted until 1961. Hillman's early titles included costumed superheroes. As trends changed, their focus shifted more to offense fiction/detective stories, making Hillman i of the primeval law-breaking comics publishers. During this time, Hillman often utilized the talents of Joe Simon and Jack Kirby. Hillman's most notable character was the Charles Biro, Dick Wood and Al Camy-created aviator-adventurer Airboy in Air Fighters Comics and its successor, Airboy Comics. Hillman ceased publishing comic books in 1953, while concentrating on magazine publishing. |
| | Holyoke Publishing Company 1940-1950 --- Imprints - Et-Es-Go Mags, Continental Magazines, HELNIT Publishing Co. and TEM Publishing Co. Associated publishers Nita Publishing Co., Narrative Publ., Bilbara Publishing Co. and Aviation Printing |
| | I. W. Publishing / Super Comics 1958 - 1964 --- Founded past Israel Waldman. Reportedly, Waldman came into possession of a printing visitor and amongst the assets were the product materials for several hundred comic books previously published by diverse publishers as well as a limited amount of previously unpublished material. Waldman equated possession of product materials as the right to reprint and I.W. became notable for publishing unauthorized reprints of other company's comics, oft with new covers as Waldman'due south windfall did not often include the product materials for covers. The later half of the company's existence, it published comics under the Super Comics name. Ordinarily these companies were out of business, just non ever. CLICK ON THE DOWNLOAD LINKS TO Get TO THE REAL DOWNLOADS - IGNORE ANY "0 Bytes" MESSAGES. |
| | Comics House Publications / Lev Gleason 1939-1956 --- Founded in 1939 by Leverett Stone Gleason (1898–1971), was the publisher of a number of popular comic books during the 1940s and early 1950s, including Daredevil Comics, Criminal offence Does Not Pay, and Male child Comics. The first and nearly successful crime comic, Crime Does Not Pay spawned dozens of imitators. Gleason'due south crime titles (along with horror titles by EC Comics) became targets of increasing criticism of the influence of comic books. This force per unit area eventually led to the germination of the Comics Code Authority in 1954. |
| | Magazine Enterprises 1943-1958 --- Published primarily Western, sense of humor, crime, take a chance, and children's comics, with virtually no superheroes. Information technology was founded by Vin Sullivan, an editor at Columbia Comics and before that the editor at National Centrolineal Publications, the future DC Comics. ME'southward best-known character may be Ghost Rider, a horror-themed Western avenger created by writer Ray Krank and artist Dick Ayers in 1949. Several featured excellent covers by Frank Frazetta. Other original characters include the jungle goddess Cave Girl, drawn by Bob Powell, who likewise worked on their superhero championship The Avenger. In late 1947, Superman creators Jerry Siegel and Joe Shuster collaborated over again with editor Vin Sullivan, on a new oddball hero book chosen Funnyman, a slapstick-comedian hero. Both as a comic volume and as a comic strip, withal, the character failed to find an audition. Among the company's publications were licensed motion-picture show and Television receiver comics featuring comedian Jimmy Durante; suave role player Dick Powell; and the CBS television serial The Adventures of Robin Hood, starring Richard Greene. |
| | Thou. Fifty. J. Magazines, Inc. 1939-present (as Archie Comics) --- Founded in 1939 past Maurice Coyne, Louis Silberkleit, and John L. Goldwater as M.L.J. Magazines, Inc., which primarily published superhero comics simply today are best known for their teen humour character Archie and his gang. The initial Archie characters were created in 1941 by publisher John L. Goldwater and artist Bob Montana, in collaboration with writer Vic Blossom. They first appeared in Pep Comics #22 (comprehend-dated Dec. 1941). With the cosmos of Archie, publisher John Goldwater hoped to appeal to fans of the Andy Hardy films starring Mickey Rooney. Archie was a huge striking which led to the company irresolute its name to Archie Comic Publications in 1946. Archie Comics the title of the company's longest-running publication, the first consequence appearing with a encompass appointment of Winter 1942. Starting with issue #70, the title was shortened to simply Archie. The flagship series was relaunched from issue #1 in July 2015 with a new await and blueprint suited for a new generation of readers, although afterward #32 it reverted to its historic numbering with #699. Archie Comics characters and concepts have also appeared in numerous films, television programs, cartoons, and video games. In Nov 1939 (with a January 1940 cover engagement), Pep Comics #i debuted with the Shield, the beginning USA patriotic comic book hero, created by writer and managing editor Harry Shorten and designed by artist Irv Novick. The Shield was a forerunner for Simon's and Kirby's Helm America, being published thirteen months before. Archie would flirt with superheroes over the decades but their fame will ever be for their Archie line of books still being published today. |
| | Novelty Press 1940-1949 --- (a.k.a. Premium Service Co., Inc.; a.g.a. Novelty Publications; a.k.a. Premier Group) was the comic book imprint of Curtis Publishing Visitor, publisher of The Sabbatum Evening Post. Among Novelty's best-known and longest-running titles were the companion titles Blue Commodities and Target Comics. During its nine-yr run, Novelty had a roster of creators that included Al Avison, Dan Barry, Carl Burgos, L.B. Cole, Bill Everett, Al Gabriele, Joe Gill, Tom Gill, Jack Kirby, Tarpé Mills, Al Plastino, Don Rico, Joe Simon, Mickey Spillane, and Basil Wolverton. Novelty's get-go title, Target Comics featured such stars as Bull's-Eye Beak, Lucky Byrd, and The White Streak (Target'due south start superhero). Material for the book was supplied past Funnies, Inc. Basil Wolverton's Spacehawk made its Target Comics debut with effect #5, and ran for many issues. The superhero Target, created by Dick Briefer under the pen name "Dick Hamilton", was introduced in issue #10 (Nov. 1940). Blue Commodities's title grapheme superhero was created by Joe Simon, and Blue Bolt #2 (July 1940) featured the beginning pairing of the longstanding and pioneering artistic team of Simon and Jack Kirby. In 1949, due to the growing criticism over violence in comic books, Novelty Press sold its assets to Bluish Commodities cover artist L.B. Cole. Using his new assets, Cole began his own company, Star Publications. |
| | Orbit Publications 1945 to 1955 --- Orbit Pub, also known as Orbit-Wanted, was an American comic book publishing business firm operated by the female publisher, editor, and cartoonist Ray Herman. The company's longest-running titles were Wanted Comics, The Westerner and Honey Diary; contributing artists included John Buscema, Syd Shores, Bernard Krigstein and Mort Leav. |
| | Parents Magazine Plant 1941-1950 --- Parents published a line of comic books and magazines heavily featuring comics, including such long-running titles equally Calling All Girls, Children's Digest, Polly Pigtails, True Comics, and True Motion-picture show-Magazine. Parents also published Humpty Dumpty from the 1950s through the early 1980s, until it and Children'south Digest were sold to the Sabbatum Evening Mail service company. -From Wikipedia |
| | Prize Comics Grouping 1940-1963 --- Prize Comics also known every bit Feature Publications, was a subsidiary of Crestwood Publications, operated from 1940 to 1963. Already an established pulp magazine publisher, Prize jumped onto the superhero bandwagon with their outset title Prize Comics. In Prize Comics #7 writer-creative person Dick Briefer introduced the viii-folio characteristic "New Adventures of Frankenstein". Briefer would continue with a volume named for the character starting in 1945. Today it'due south one of Prize'southward better known characters. Simon and Kirby would launch the romance comic genre in late 1947 with their Immature Romance title which was a huge success for the publisher and spawned dozens of clones. Crestwood gave up publishing comics in 1963, selling off some of it'due south titles to publisher DC Comics. Information technology continued to publish humor magazines, such as Ill, upwards until 1968. Annotation- due to DCM's rule of Non sharing books postal service Dec 1959 several Prize Comics Grouping titles are incomplete on DCM |
| | Quality Comics 1937-1956 --- Founded by Everett M. "Busy" Arnold, in 1937 when he formed Comic Favorites, Inc. (in collaboration with 3 paper syndicates: the McNaught Syndicate, the Frank J. Markey Syndicate, and Iowa's Register and Tribune Syndicate). Comic Favorites, Inc.'s first publication was Characteristic Funnies, which began primarily with color reprints of hit strips from all three co-owning syndicates alongside a small number of original features. In 1939 Quality would begin using the Eisner & Iger shop to provide original content for their expanding line of titles. Notable titles included Blackhawk, Feature Comics, G.I. Gainsay, Plastic Man, Police Comics, Boom Comics and The Spirit. By the mid-1950s, after a foray into other genres such as war, humor, romance and horror, the company ceased operations with comics cover-dated Dec 1956. Many of Quality'southward character and championship trademarks were sold to National Comics Publications (now DC Comics), which chose to keep only four serial running. |
| | Rural Dwelling 1944-1946 --- A group of loosely tied wing-by-night publishers using prepackaged material, many using black marketplace supplies of newspaper at the end of World War II; mutual tie-ins unclear. Enwil listed as copyright publisher. Some titles continued by Orbit Publications and others by Charlton Comics. -From Wikipedia |
| | Spark Publications 1944-1946 --- Established and owned by Ken Crossen, who was the creator and author of the Greenish Lama. Most of their comics was produced by a studio run past Jerry Robinson and Mort Meskin. Other creators who worked for Spark included Joseph Greene and Mac Raboy. The combination of Robinson, Meskin, and Raboy, using like styles gave Spark'southward books a sort of house style. Solely a publisher of superhero comics, the company was too pocket-sized to survive the shrinking of the market place post-Globe War Two. |
| | 1951-1972 --- Collects the various publishing outfits associated with Stanley P. Morse. Accost:175 Fifth Artery NY, NY. 1955: 261 Fifth Artery NY, NY. Imprints - Notable books include notorious horror titles Mister Mystery, Weird Mysteries and Weird Tales of the Futurity; and their Battle line of state of war titles. Readers should exist aware they are known for their gory contents. |
| | Star Publications 1949-1955 --- In 1949, publisher Novelty Press sold its characters and artwork to encompass creative person L.B. Cole. Using his new assets Cole and lawyer Gerhard Kramer started Star Publications. Star specialized in horror, crime, and romance comics — but also published funny brute stories. Star was originally based in New York City before relocating to Buffalo, New York. Notable creators who contributed to Star titles included Nina Albright, Tex Blaisdell, Frank Frazetta, Milt Hammer, Alvin Hollingsworth, Joe Kubert, Pat Masulli, and Wally Woods. Co-owner 50.B. Cole contributed distinctive and highly collected cover illustrations to many Star books. Due to the grisly nature of titles like Blue Bolt Weird Tales of Terror, The Horrors, and Startling Terror Tales, Star Publications was singled out in Fredric Wertham's 1954 book Seduction of the Innocent. Similar many comic volume publishers of the time, faced with the public outcry against the industry every bit well as the 1955 decease of publisher Kramer — the company shut downwards before long thereafter. |
| | 1954-1955 --- Sterling published half-dozen titles in diverse genres. ALL Series Complete! |
| | St. John Publications 1947-1958 --- Archer St. John, who had a background in journalism and advertising, founded St. John Publications in 1947. In the early on 1950s St. John became friends with artist Matt Baker, who provided virtually of the book covers for the company. St.John is credited with publishing the the first 3-D comic book, Three Dimension Comics #i featuring Mighty Mouse. It reportedly was a huge striking. After the St. John comic books came to an end in 1958, the company connected to publish its magazine line into the next decade. A Checklist of all St. John ROMANCE comics by John Benson can be found at the following link: |
| | Story/Merit/Chief group. 1951-1955 --- Story came late to the field jumping on the crime and horror comics trend with notorious titles like Night Mysteries and Mysterious Adventures. |
| | Toby Press, Inc. 1950-1955 --- Founded past Elliott Caplin, brother of cartoonist Al Capp and himself an established comic strip writer. Toby published reprints of licensed-character comics including Felix the True cat, Buck Rogers, Li'l Abner and other Al Capp spin offs. Some of its comics were published under the imprint Minoan. Toby went out of business organisation in 1955, a victim of the anti-comics sentiment stirred in that era by Dr. Fredric Wertham's book Seduction of the Innocent |
| | Trojan Magazines 1950-1955 --- Evolved from 1940s lurid magazine publisher owned by Harry Donenfeld and Mike Estrow. Later on closing two of its titles were picked up from Youthful. Imprints: |
| | Youthful Magazines, Inc. 1949-1953 --- The company was owned by attorney Bill Friedman and his wife Sophie. Youthful specialized in non-superhero titles, instead focusing on horror, Western, humor, and romance comics. Doug Wildey was the visitor's lead cartoonist, with work published in virtually all their titles. Other notable creators associated with Youthful included Bill Fraccio, Harry Harrison, Pat Masulli, Don Perlin, Wally Wood, Graham Ingels, Ed Goldfarb, Henry Kiefer, and Manny Stallman. Youthful acquired the Pix-Parade title Youthful Hearts in 1952, continuing its numbering under the new title Daring Confessions until 1953. The Youthful titles Attack and Beware were acquired by Trojan in 1952, which continued their numbering. Youthful, in turn, renamed the titles Atomic Attack and Spooky Tales, respectively, too continuing the numbering. The company was mostly finished by 1953, with merely Jackpot continuing until 1954 |
| | Ziff-Davis Publications 1947-1957 --- Founded in 1927 by William Bernard Ziff Sr. and Bernard George Davis as a hobbyist print magazine publisher in Chicago, Illinois. In early on 1938 Ziff-Davis acquired Radio News and Amazing Stories magazines which had been started by Hugo Gernsback. Ziff-Davis started publishing comic books during the early 1950s, operating by their own name and besides the name Approved Comics. Eschewing superheroes, they published horror, crime, sports, romance, and Western comics, though about titles didn't terminal more than a few issues. Superman co-creator Jerry Siegel was the art director of the comics line; other notable creators who worked for Ziff-Davis included John Buscema, Sid Greene, Bob Haney, Sam Kweskin, Rudy Lapick, Richard Lazarus, Mort Leav, George Roussos, Mike Sekowsky, and Ogden Whitney. In 1953, the visitor mostly abandoned comics, selling its most pop titles to St. John Publications. Ziff-Davis continued to publish one title, G.I. Joe, until 1957, a total of 51 issues. |
| | Smaller publisher grouped in one area |
| | A home for foreign reprints of known Us comic titles. Please do not upload anything printed subsequently 1959 or that contains known not-PD material in these countries. |
| | Archetype Paper comic strips A variety of strips our members call back others might enjoy. You might endeavour the ILoveComicxArchive site - |
| | Various scans that don't fit into a convenient category. |
| | A home for orphaned or 'Grossly Mistreated' (GM) scans. They are small and watermarked. We bluntly don't similar them simply for some they are the merely scans available. These are best thought of as placeholders until hopefully a better scan can be uploaded. Anyone that owns one of these books Please consider scanning and sharing a improve browse! Note - Annotation - |
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